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Our Lady of the Assumption Church
Of medieval origin and built around the year 1200, it is an outstanding example of the rural Romanesque style with proto-Gothic influences evident in its structures and decorations. Its walls contain remains of corbels and transverse arches, and the nave is distinguished by segments covered with ribbed vaults with trapezoidal ribs. The central segment is notable for its quadripartite vault of bilobed ribs, adding a complex artistic and technical dimension to the building.
During the 17th century, significant additions were made such as the sacristy and choir, both with starry roofs. Two chapels that feature coffered vaults and a tower built in the Herrerian style were also added, marking an evolution in the architectural design of the church over the centuries. These modifications reflect the artistic trends and technical capabilities of the time, integrating Gothic and Renaissance elements.
The main altarpiece of the church is particularly notable, not only for its Gothic layout but also for incorporating elements of Spanish-Flemish art, such as paintings and sculptures that are reminiscent of the work of Pedro Díaz de Oviedo and other artists of the same period. This altarpiece is compared with works in the cathedral of Tudela and in the parish of Los Arcos, with the busts of apostles and the carving of the Virgin and Child standing out for their expressiveness and artistic quality.Read more
In addition, the church houses other significant works such as the Ecce Homo altarpiece, with a carving that follows the late Romanist style, a Crucified from the 1688th century and a Baroque chest of drawers from XNUMX. Liturgical elements such as a chalice and a silver ciborium from the XNUMXth century in Plateresque style with Logroño marks complement the rich artistic collection of the temple.
In the broader context of the town, there are two noble houses with significant coats of arms that reflect local heritage and history. Additionally, on the outskirts is the Palace of Romanticism, a neoclassical structure from the late 18th or early 19th century that stands out for its French-influenced architecture, rare in Navarre. This palace is not only important architecturally but also culturally, having been the inspiration for “La Casa de Aizgorri” by Caro Baroja.
Castle
It dates back to medieval times and served as a border fortress. It has a long history of governors and wardens who were in charge of its maintenance and defense. Over the centuries, the castle has seen numerous repairs and improvements, including the addition of defense structures and the renovation of its facilities. Although it ceased to be mentioned in documents after 1460 and was probably demolished in the XNUMXth century, its history reflects the military and strategic importance of the region.
The hermitage of Santo Cristo
It represents a more modern aspect of spirituality and worship in the community, maintaining its religious function to this day. This building, although more recent compared to the other historic structures, remains an integral part of the cultural and religious heritage of the area.
Together, these architectural and artistic elements not only illustrate the historical and cultural richness of the place but also highlight the stylistic and functional evolution of its buildings over time, offering a living testimony of regional history and the continuity of tradition. artistic and architectural in Navarra.
